Skip to main content

Rachel, Literature's Okay-est Parent



Jeff VanderMeer’s world in Borne is vast and complex, yet its theme is almost exceedingly simple: don’t be an idiot of a parent. This seems to be a deep-rooted theme in science fiction; and, if you really think, shouldn’t be a surprise. The very first science-fiction novel was about the world’s worst parent: Victor Frankenstein. That being said, VanderMeer’s ways of telling his version of this theme is much different than Mary Shelley’s.

First, we’re in a post-apocalyptic setting where parenting is practically impossible. In a flying-bear-eat-human world, there is no time for child rearing. Rachel, our main character, frequently flashes back to her own parents and how life was before, during, and after the apocalypse. She laments she never got to hear their true thoughts and that they put up a front to shield her from the realities of the world affecting her. Rachel eventually finds and “raises” an amorphous creature named Borne, who is a pretty big handful. While definitely not the best parent, Rachel tries and expresses regret when she gets things wrong. We’re also introduced to the Magician’s ruthless and mean children; appropriate to the nature of the city they reside in. They physically beat Rachel to an inch of her life, for Pete's sake. (An obvious example of what not to do with kids.) Then, by the end of the novel after Borne is gone, Rachel adopts more children to take care of - showing that there was a lesson learned.

Since I brought up Frankenstein, I feel that it’s necessary to bring up the similarities of the two stories. Both have human-grown monsters who have gained full sentience. For Frankenstein, it was obviously the monster; and for Borne, it was, well, Borne (and Wick, but he’s not relevant unless he counts as an unsupportive father). Both novels touched on the “how-to”s and “how-not-to”s of raising your horrid, monster child. Both were very vague on how exactly these monster children were made.

So, there are the similarities. What are the differences? Rachael, for one, isn’t the one who made Borne and is therefore never put in the position of God, like Frankenstein was. In fact, she never fully understands Borne or what happens to him. She’s extremely accepting of him, no matter the circumstance. Truly what an adoptive parent should do. Even after finding out about his certain… murderous tendencies, she tries to accommodate and figure out a way around the behavior. Borne, unlike the monster in Frankenstein, doesn’t have a choice in his killing and he never does so for revenge. Rachel also only abandons him after finding that he’s been doing things behind both her and Wick’s back, clearly a consequence of his own actions. Frankenstein, on the other hand, throws any thought of nurture to the wind as soon as his monster is alive.

The biggest difference between Borne and Frankenstein is this: one focuses on the development of an individual as a parent and the resulting trial and error while trying to balance survival. The other is about abandoning your creation and having said creation make your life a living hell because of it. Both are extraordinary examples of a ‘parenting is hard’ theme, and I’m happy there’s at least one parent who’s trying in the sci-fi horror genre.

Comments

Popular posts from this blog

Space Operas and Beyond

I’ve always loved the genre of science fiction, how it could be so personal and yet so distant. I especially loved the exploration aspect of it; how the audience could sit and be awed by the atmosphere every once and awhile. I’d never touched on early science-fiction and the space opera, though. Reading a few short stories by both Arthur Clarke and CL Moore was a brand new experience for me. These futuristic settings and technologies could be the basis of real tech fascinated me as a connection to today. Satellites, touchscreens, even the modern space program wouldn’t be here if not for these fantastic first goes at what laid beyond our stratosphere. While that influence is truly awe-inspiring, the most interesting part of this genre is the very human aspects as well. Science was only part of the show, as Hugo Gernsback's description of 75% literature and 25% science stated. The idea of a space opera is they’re horse operas set in space: more about adventure, more about action, mor...

Insights into Bloodchild

The short story Bloodchild by Octavia Butler perfectly combines disgust and intrigue, as well as a big heap of detachment. My first thought after reading was it’s an interesting take on the parasitic alien trope; more domestic, more normalized, just as traumatizing. It’s obvious the race of the Tlic is based on insects, which of most organisms looks the most alien to humans as well as having members that are parasitic in nature, so the connection makes sense. As in certain insect species as well, it seems as though the Tlic are matriarchal - which adds to the interesting role reversal to the men who bear Tlic children. The Terrans in this short story are implied to be minorities, as T'Gatoi mentions them leaving the planet due to subjugation. Terrans are thought to be given an equivalent exchange, as they have access to shelter as well as nonfertilized eggs, which make the Terrans live longer lives. Of course, objectively, being put on a preserve like they are and having to b...

Frankenstein, Literature's Worst Parent

If one needs a guide on how to be the most oblivious of deadbeat parents, they need only to look to the actions of Victor Frankenstein of Mary Shelley’s Frankenstein . There’s nothing that says “World’s Worst Dad” like running out of the house, screaming after finding your eight-foot-something child looming over your sleeping form. Shelley’s entire novel, in essence, is about parenting and the relationships between fathers and their children - with the added element of being the first work of science fiction. Before getting into the analysis of the various facts, which point this towards being a parental “how-to”, it’s important to briefly mention Shelley’s own upbringing and how it relates to said analysis. Shelly was born to William Godwin, a philosopher, and novelist, and Mary Wollstonecraft, a well-known English suffragette who penned “A Vindication of the Rights of Woman”, in 1797. Two weeks after Shelley’s birth, Wollstonecraft died due to postpartum infections. Shelley’s rigor...