Skip to main content

Real Life, Fantasy, or Both?

Hell-bent on escapism! That’s what you must be when your favorite genre is Fantasy. So some people think. If you love fantasy, then you must hate dealing with the real world. At first glance, this can certainly be the case; fantasy is all about creating an entirely new set of rules for our universe and throwing out the old ones. Upon closer inspection, though, the fault in this thinking is evident. With every fantasy novel written, deep parallels to our own lives come to light, and these can’t be ignored for the sake of comfort.

Lud in The Mist, for example, is an excellent commentary on substance abuse. The effects of fairy fruit, which has become a widespread addiction in the novel, are not completely known, but enough clues show that it’s a mind-altering substance. At the novel’s first publication, the prohibition in America probably inspired the work. While the author, Hope Mirrlees, was in England at the time (which never had a full-out ban on alcohol), it is still very possible she heard about it via world news. Even in today’s world, fairy fruit could be an easy connection to drug abuse/anti-drug laws. That being said, I don’t know enough about Mirrlees to postulate whether or not, outside of the context of the novel, she’d be for “legalizing it”.

Other examples of real-life parallels could be J.R.R. Tolkien’s and C.S. Lewis’s incorporation of their own experiences into their fantasy literature. These two men are arguably the most influential fantasy writers so far. Most all of Tolkien’s battle scenes in both The Hobbit and Lord of the Rings have a high sense of realism, invoking in the reader the genuine rush and horror of battle. Tolkien’s experiences in World War I on the front lines, where two of his closest friends died, no doubt contributed to the authenticity of his work. For example, speculation exists that the aftermath of the Battle of the Somme inspired the Dead Marshes depicted in The Two Towers. C.S. Lewis drew inspiration for Aslan the lion from the New Testament of the Bible and in turn converted to Protestantism - yet again, a reflection of the author’s life within their fiction.

Fantasy, while otherworldly, is a reflection of our real lives and the problems we face. This fact shouldn’t be ignored or brushed aside due to it being an inconvenient truth. This should be an excuse for writers to embrace diversity and experiences from their own lives and throw them into their works. This adds a sense of realism to the writing and makes a fantasy world deeper than just an escape.

Comments

Popular posts from this blog

Interview With The Vampire's Apeirophobia And Why Everyone But The Vampire Ignores It

One of the many revisited tropes in media is immortality. The idea of seeing and personally experiencing all the world’s disasters in history captivates us, I guess. Anne Rice’s Interview With The Vampire establishes immortality as an integral plot point (the only reason the interview can take place). The narrative, therefore, advances some heavy opinions about the topic, as well as those who seek it. Rice’s novel leaves no doubt about it: being and becoming an immortal is gross. A freak bites your neck, you drink said freak’s blood, and your body slowly shuts down. What remains is your consciousness and blood flow, which you have to supplement in order to survive (which kind of takes away the meaning of immortality). The blood-sucking itself is graphically sensual in Interview With The Vampire, revealing their killing as the last real joy that vampires have - there’s a pun on ‘flirting with death’ somewhere in there. Oh, and you can never see the sun again, so get some spray tan. The

Frankenstein, Literature's Worst Parent

If one needs a guide on how to be the most oblivious of deadbeat parents, they need only to look to the actions of Victor Frankenstein of Mary Shelley’s Frankenstein . There’s nothing that says “World’s Worst Dad” like running out of the house, screaming after finding your eight-foot-something child looming over your sleeping form. Shelley’s entire novel, in essence, is about parenting and the relationships between fathers and their children - with the added element of being the first work of science fiction. Before getting into the analysis of the various facts, which point this towards being a parental “how-to”, it’s important to briefly mention Shelley’s own upbringing and how it relates to said analysis. Shelly was born to William Godwin, a philosopher, and novelist, and Mary Wollstonecraft, a well-known English suffragette who penned “A Vindication of the Rights of Woman”, in 1797. Two weeks after Shelley’s birth, Wollstonecraft died due to postpartum infections. Shelley’s rigor

"How To Not Be a Horrible Person", AKA Anansi Boys by Neil Gaiman

Anansi Boys by Neil Gaiman is, overall, a novel about family. A really dysfunctional, not super healthy family, but about family nonetheless. The novel follows two brothers through their adventure of meeting each other for the first time after many, many years, and the frustration behind both their clashing personalities and the death of their father. Anansi Boys also shows the importance of family, with how Fat Charlie and Spider (the respective brothers) save each other in different ways, as well as the influence of their father, the god Anansi, on their lives. This novel also explores the unpredictability of life. The boys’ lives don’t quite work out the way both they think they should - defying both their and the audience’s expectations. Anansi dying unexpectedly, which hits both boys hard (in Charlie’s case, harder than it should) is extremely unexpected to everyone in the novel, though it’s revealed he’ll come back in a few years. Rosie, Fat Charlie’s fiancée, at the be